While there is some self-aware humor and plenty of darkly comedic sensibilities about the general populace accepting a literal monster becoming part of the new normal, Kalan is well aware that this is a horror story first and foremost and makes that point crystal clear in terms of tone, premise and pacing. Writer Elliot Kalan, who has previously written a whole bunch of Marvel Comics titles and comedy television shows, dives headfirst into the horror genre here. RELATED: The Hostage Delivers a Searing, Psychedelic Portrait of Brazil And as a haunted political aide and disgraced cop join forces to stop Harry, they discover their biggest roadblocks may be the municipal bureaucracy rather than the serial killer himself. In face of Harry's gruesome antics, the City of New York attempts to integrate the threat of the menace into their everyday life, providing systemized warnings about his activity as the entire city tries to adapt. A masked serial killer known only as Maniac Harry has been stalking the streets of Manhattan for over four years, leaving scores of victims as the authorities are unable to apprehend or kill him.
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